888 results where found for «Campamento de Prisioneros, Tres ������������������lamos»


The Little Cigarette (El cigarrito)

Music piece by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
[...]
« Campamento Prisioneros Estadio Regional, Concepción »
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I’m Not from Here - To my Comrade, my Love (No soy de aquí - A mi compañera)

Music piece by:
Facundo Cabral, with lyrics modified by a political prisoner
Testimony by:
Alfonso Padilla Silva
Experience in:
« The choir of male prisoners sang a piece called 'A mi compañera' (To my comrade, my love) to the music of 'No soy de aquí, ni soy de allá' (I'm not from here, nor from there) by Facundo Cabral. »
[...]
« Campamento Prisioneros Estadio Regional, Concepción »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Marianella Ubilla
Experience in:
« I was taken prisoner on 23 November 1973, at the University of Concepción. In the Regional Stadium of Concepción, we had to sing the National Anthem every day. »
[...]
« Campamento Prisioneros Estadio Regional, Concepción »
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Recinto: Campamento o Camping Las Machas, Arica
There are no testimonies about this detention centre.
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Recinto: Campamento Militar Conchi
There are no testimonies about this detention centre.
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Recinto: Campamento Prisioneros Estadio Regional
There are 4 testimonies about this detention centre.
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Recinto: Campamento Militar Lago Maihue / Arquilhue
There are no testimonies about this detention centre.
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Recinto: Campamento Militar Puerto Fuy / Pirihueico
There are no testimonies about this detention centre.
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Recinto: Campamento Militar Liquiñe
There are no testimonies about this detention centre.
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
Carlos Muñoz
Experience in:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
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